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Lohengrin (November 30, 1999 at 12:00 am)
or jumping on stage like lunatics try to make everybody notice them... callas could stand still and no-one could take their eyes off her...
videomeker (November 30, 1999 at 12:00 am)
She was built for the stage and the drama.
videomeker (November 30, 1999 at 12:00 am)
She was built for the stage and the drama.
red6352 (November 30, 1999 at 12:00 am)
Grrüg!
KILLERADVICE (November 30, 1999 at 12:00 am)
Callas is not an advertising product : she was and remains unique.
Specially in Medea : when we see her (movies or pictures), when we listen to her strange voice, her deep interpretation (live or studio), it gives feeling that Cherubini wrote this splendid score just for Callas.
Faust075 (November 30, 1999 at 12:00 am)
Nobody will ever perform Meadea this way again. This woman was not human ! Opera singers of today look so ridulucous when they try to act on stage, simply lifting left hand, then right hand !
May be blessed all those who love her, and understand her art and her genious.
aritau (November 30, 1999 at 12:00 am)
This just makes you mad that there none of those performances were filmed entirely.
So wonderful. No wonder there were no other Medeas around - who could pull that out except for Callas.
Matt75003 (November 30, 1999 at 12:00 am)
The hands are amazing... She dances as much as she sings. She is incredibly graceful and almost frighteningly unpredictable at the same time: Medea, the seductress and the killer, and the soul of Cherubini's music.
31071946 (November 30, 1999 at 12:00 am)
This is truly wonderfull!!
StaffanSwede (November 30, 1999 at 12:00 am)
She was definitely a totally devoted artist. Watching her on stage must have been a fantastic experience. |
