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vieurocker (November 30, 1999 at 12:00 am)
pour Lafforte :
Interessants tes commentaires musicaux .
A chacun son dieu, moi c'est ELMORE JAMES .
Quant aux Stones, effectivement en tant que blancs, ils ne pouvaient pas faire carrière ds le blues . Dommage pour nous, mais ils ont fait le bonheur des amateurs de pop-rock.
Lafforte (November 30, 1999 at 12:00 am)
@Vieurocker: Oui, Elmore était un vrai. Avec Wolf, c'était surtout Hubert Sumlin qui ce chargait du plus gros rôle à la guitare, et lui et Wolf travaillaient si bien ensemble. À mon avis, le groupe de Wolf était le meilleur. Ce que je voulais surtout dire des Stones ("la bonne décision de faire du rock"), c'est qu'à mon avis, ça n'aurait pas donné grand chose dans le Blues. Rooster était bon pour l'époque, mais en tant que groupe de Blues pro?! Non, je ne pense pas.
vieurocker (November 30, 1999 at 12:00 am)
pour Lafforte;
OK , Jones était sans doute le meilleur instrumentiste des Stones.
OK, pour Howling Wolf, mais je lui préfère ELMORE JAMES à la Slide ainsi que son vocal.
Quand aux Stones, si j'ai été impressionné, par leurs débuts rock, rythm and blues, désolé, mais le restant de leur carrière ne me concerne pas.
Signé vieurocker.
Misslucy000 (November 30, 1999 at 12:00 am)
i have to dance to this at school!!!!
we are learning about rooster that dance show thing.
Lafforte (November 30, 1999 at 12:00 am)
I love the Stones a lot, Howling Wolf a lot more. Nat King Cole was ultra cool, hip, and good. Even his pop stuff was incredible, but his jazz was THE shit. Copied by everybody, including Oscar Petersen (who's main stylistic influence was Art Tatum) but the format and early stuff was all Cole, who was THE MAN at the time. Super good. Your mom was so lucky. Take any show tune done by both Sinatra and Cole. Listen to Sinatra and then to Cole. What a diff!! and poor Sinatra loses that fight badly.
Lafforte (November 30, 1999 at 12:00 am)
Not sure if US was more liberal that UK. Red Rooster went all the way up the charts so it was on radio 'for kids'. In the US at that time, Muddy Waters and Howling Wolf could be heard on 'race' (black) stations, but didn't get close to popular top-10 type radio. Two different worlds, and the authorities didn't really care what blacks were doing on their own stations and in their clubs. It never touched mainstream America. Even journalists didn't know who was Howling Wolf, or Muddy Waters.
Lafforte (November 30, 1999 at 12:00 am)
D'accord. Très, très bon pour des petits gars britanique (pas une insulte du tout). Écoute Jones avec son slide...vraiment bon. Je suis un mordu du blues et surtout de Howling Wolf, et l'authenticité de ce morceau est frappant. Jones était formidable, mais au niveau de la personalité...?? On voie que Richards était décidément # 2 à la guitare. J'aime le rock des Stones aussi, et ils ont pris le bon chemin, selon moi. Mais ce morceau est excellent. Même la prise de son est bonne.
Lafforte (November 30, 1999 at 12:00 am)
Just keep at it and you'll find people. It doesn't happen easily but Lennon and McCartney met at about your age, and so did Jagger/Richards/Jones. The more ability you have (repertoire...it's all about repertoire...) the better. You get together with people who know the same songs as you, and make magic, even if you're not that good yet. Start with whatever you can get--one other, 2, and practise and play 'out' (party, friend's house, cafe around the corner) as soon as you've got a few tunes.
mattstank (November 30, 1999 at 12:00 am)
Haha, once my old friend came up to me and said, "Hey, do you wanna start a band, like early Rolling Stones stuff?" I said sure, but it never happened.
DynnesH (November 30, 1999 at 12:00 am)
this aint live |
