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Barney Kessel in conversation

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MacAppleMedix.com - MAC & Apple Computer Videos Helpsite

American jazz guitarist in conversation with the CBC's Howard Bateman in 1964 talking about the death of jazz, playing clubs versus theatres, understanding jazz, and working with Ricky Nelson and Elvis Presley. Also on panel are Maurice Foisy and Kenny Colman.

Channel: Music
Uploaded: November 30, 1999 at 12:00 am
Author: gmacp

Length: 08:26
Rating: 4.95
Views: 9104

Tags: barney  guitar  jazz  kessel  nelson  ricky  vancouver  vintage  

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Video Comments

jazzbox111 (November 30, 1999 at 12:00 am)
Connick? Classic? do you even know what classic means? piss off.
Morahman7vnNo2 (November 30, 1999 at 12:00 am)
Music is as hard as you make it. And besides it's not my fault JAZZ is thinking music.
robog11 (November 30, 1999 at 12:00 am)
For me, music is about expressing emotions and inner and outer life, and not about how clever and complex you are. Who cares how difficult it is to play? I am more interested in how much it touches me.
knighterrantfilms (November 30, 1999 at 12:00 am)
connick: idiot; try classical Connick ....
bopguity (November 30, 1999 at 12:00 am)
You're a fucking idiot.
PervisJohnson (November 30, 1999 at 12:00 am)
bop..."the level of Hendrix?" You are a child. I won't waste my time communicating with you further.
bopguity (November 30, 1999 at 12:00 am)
Face!
bopguity (November 30, 1999 at 12:00 am)
Whether Kessel played with or signed pop/rock/schlock musicians does not in any way detract from his humanity and artistry. It may be a shock to you Perv, but many Depression-era Americans could not conceive of such a concept as "selling out." Barney was getting his, and God Damn, good for him. Dizzy was a total cornball, but played his dick off. Anyone who recorded with Bird and Elvis is an icon by default.
bopguity (November 30, 1999 at 12:00 am)
For a narcissist like yourself, nothing is more frightening than jazz appealing to more than a handful of musicians and academics.
bopguity (November 30, 1999 at 12:00 am)
People of your ilk use your taste in jazz to alienate others, to prop your insecure pathetic self above them, though most of jazz is dance music after all, and even the most difficult of it is swinging and beautiful. What you fear the most is its mass appeal because that might shine a light your own insignificance, that you have no tastes or sensibilities upon which you may climb in order to spit down at the WalMart shoppers you desperately loathe.

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